В The Economist от 09.03.2019, стр 78, весьма любопытное эссе-некролог о нем и о его музыкальном мире, лишь отчасти отражённом в биографии, размещенной в Классик-онлайн.
`The maestro seemed bigger than the music, and that was no suprise....He wanted to understand the engineering of perfection: how Debussy could write: `L`apres midi d`un fauna` without a single note in for show; how the begining of Brahms`Fourth Symphony could reduce him to tears; how the unsurpassable serenity of the second movement of Beethoven`s Violin Concerto could change the way he saw the world. Before something as beatiful and frightening as music, he could only efface himself.`
09.03.2019, стр 78, весьма любопытное эссе-некролог о нем и о его музыкальном мире, лишь
отчасти отражённом в биографии, размещенной в Классик-онлайн.
`The maestro seemed bigger than the music, and that was no suprise....He wanted to
understand the engineering of perfection: how Debussy could write: `L`apres midi d`un
fauna` without a single note in for show; how the begining of Brahms`Fourth Symphony could
reduce him to tears; how the unsurpassable serenity of the second movement of Beethoven`s
Violin Concerto could change the way he saw the world. Before something as beatiful and
frightening as music, he could only efface himself.`