Дай Фудзикура
ДАЙ ФУДЗИКУРА (Род. 1977)









Последние комментарии к произведениям композитора

abcz (08.06.2014 00:04) не в сети не в сети
фаготист, надо признать - да.
piroman (10.05.2015 14:59) не в сети не в сети
аннотация автора:
`
secret forest

Just before I composed this work, I wrote a short viola piece called “flux”, and with
this work, I focused on the “bowing” of the instrument – the player’s right arm, because I
had used a lot of “plucking” string techniques (like pizzicati and also playing with a
guitar plectrum) in the past. I began with composing the rhythm of the bowing, and then I
wrote notes (using another way to organize pitches) having no relation to the bowing.
After hearing this solo viola piece, it was quite a cool and unnatural sound. Then I
imagined what would happen if a whole string section play like this (unnatural bowing). So
I began composing “secret forest.” The bowing rhythm of the string section is almost
always unison.

I have an image that there are ropes between the tip of the conductor’s fingers and bows
of string players. Furthermore, I imagine marionette, players resembling puppets.
Another thing I want to try is to express the process of changing texture: how melodic
material changes to energetic marcato, and vice versa. This idea originated from the
experience of working in the electronics studio, spending many hours listening, and
shaping the tiny sound you just created. I think it is interesting when the conductor
increases and decreases the tempo dramatically (one beat of the conductor equals one
bowing,) and I put this idea into the work to show the change.
In addition to the “marionette,” there are woodwinds and brass in the auditorium, and
their role is completely different from the ones on stage (strings). In my previous
spatial works, I have tried to produce an effect of feeling as if instruments which are
located separately in a hall played together on the stage, using monitors. On the
contrary, in this piece I have an image of strings that reach from the top of the
conductor’s finger and baton to woodwinds and brass beyond the audience. In my mind, these
woodwinds and brass are “forest,” and the bassoon located in the middle of them is a “man”
who walks into the forest.
When I go to a forest, my nose is blocked and get itchy because of an allergy. Birds sing
(if you can call that singing!) annoyingly and insects make terrible noise. This insects’
sound may be thought to be beautiful in Japanese culture, but I want to say “Could you
make little more beautiful sound? Maybe vary a little?” Therefore, I’d rather see
beautiful pictures of nature in the National Geographic. This “secret forest” is an
imaginary forest where birds and insects make only my favourite sounds and my nose gets
never blocked. I feel really comfortable there. I have composed this piece in my house in
a tiny, noisy London flat, that is the exact opposite of the “secret forest.”

Dai Fujikura`

партитура:http://issuu.com/daifujikura/docs/secret_forest_score_complete_a3_6ma
Kuumuudessa (16.08.2015 00:32) не в сети не в сети
http://www.youtube.com/watch?v=9ShcXxINSt4
http://www.youtube.com/watch?v=dYxsLu9KVsw
http://www.youtube.com/watch?v=To8omXd6mLg
http://www.youtube.com/watch?v=SCWoI5T8V40
https://vimeo.com/121137038
Romy_Van_Geyten (16.08.2015 01:33) не в сети не в сети
Kuumuudessa писал(а):
http://www.youtube.com/watch?v=9ShcXxINSt4
http://www.youtube.com/watch?v=dYxsLu9KVsw
http://www.youtube.com/watch?v=To8omXd6mLg
http://www.youtube.com/watch?v=SCWoI5T8V40
https://vimeo.com/121137038
У карлхайнцева клавишника Михаэля Обста есть ещё
камерная опера `Солярис` (1996). Я её как-то по АРТЕ слушал.
Intermezzo (05.09.2013 00:09) не в сети не в сети
Классная музыка!
DzhiTi (05.09.2013 00:18) не в сети не в сети
Intermezzo писал(а):
Классная музыка!
спасибо за наводку...
люблю инструменты басового регистра ( я правильно сказала???) басовую флейту,
бас-саксофон, фагот, бас-кларнет ит.п.
Intermezzo (05.09.2013 00:22) не в сети не в сети
DzhiTi писал(а):
спасибо за наводку... люблю инструменты басового
регистра ( я правильно сказала???) басовую флейту, бас-саксофон, фагот, бас-кларнет
ит.п.
! А это пока - лучшее, что я у этого композитора нашел. Еще прекрасно abandoned
time.
DzhiTi (05.09.2013 00:25) не в сети не в сети
Intermezzo писал(а):
! А это пока - лучшее, что я у этого композитора
нашел. Еще прекрасно abandoned time.
а это? `Perla` (2003/2008) для басовой
блокфлейты
Intermezzo (05.09.2013 00:27) не в сети не в сети
DzhiTi писал(а):
а это? `Perla` (2003/2008) для басовой
блокфлейты
В таком случае и prism spectra.

Думаю, все его произведения, выложенные здесь (а больше я даже ВКонтакте не нашел),
хороши. Но `Ледник`, по мне, сильнейшее.
 
     
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