1. Allegretto
2. Andante
3. Menuet & Trio
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Том Бегин (клавесин) 
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Spiegelsaal, Esterházy Palace (Eisenstadt). Recorded at McGill University, Montreal, Canada, from April 2007 to March 2009.
Йозеф Гайдн - Каприччио для фортепиано на тему песни `Acht Sauschneider muessen sein` (Восемь напортачивших портных) (1765), Hob XVII: 1
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Music Room Eszterháza, Fertöd, Hungary // from edition: The Virtual Haydn - Complete Works for Solo Keyboard (12 CD + DVD, Naxos, 2011) // recorded at McGill University, Montreal, Canada, from April 2007 to March 2009
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Music Room Eszterháza, Fertöd, Hungary
1. Allegro moderato
2. Menuet 3. Finale: Allegro
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004). Spiegelsaal, Esterházy Palace (Eisenstadt).
1. Allegro
2. Adagio 3. Finale: Presto
harpsichord in French Style (c.1770) by Yves Beaupré (2007) // VIRTUAL ROOM: Ceremonial Room, Eszterháza (Fertöd) // from edition: The Virtual Haydn - Complete Works for Solo Keyboard (12 CD + DVD, Naxos, 2011) // recorded at McGill University, Montreal, Canada, from April 2007 to March 2009
1. Andante
2. Menuet & Trio 3. Finale
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Music Room Eszterháza, Fertöd, Hungary // from edition: The Virtual Haydn - Complete Works for Solo Keyboard (12 CD + DVD, Naxos, 2011) // recorded at McGill University, Montreal, Canada, from April 2007 to March 2009
1. Allegro moderato
2. Menuet al rovescio 3. Finale
harpsichord in French Style (c.1770) by Yves Beaupré (2007) // VIRTUAL ROOM: Ceremonial Room, Eszterháza (Fertöd) // from edition: The Virtual Haydn - Complete Works for Solo Keyboard (12 CD + DVD, Naxos, 2011) // recorded at McGill University, Montreal, Canada, from April 2007 to March 2009
1. Allegro moderato
2. Adagio 3. Finale: Presto
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Music Room Eszterháza, Fertöd, Hungary
1. Allegro moderato
2. Andante 3. Finale: Tempo di menuet
harpsichord in French Style (c.1770) by Yves Beaupré (2007) // VIRTUAL ROOM: Ceremonial Room, Eszterháza (Fertöd) // from edition: The Virtual Haydn - Complete Works for Solo Keyboard (12 CD + DVD, Naxos, 2011) // recorded at McGill University, Montreal, Canada, from April 2007 to March 2009
1. Larghetto (= XVI:47 2-я часть ми-минор)
2. Allegro (= XVI:47 3-я часть ми-мажор) 3. Tempo di Menuett
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Spiegelsaal, Esterházy Palace (Eisenstadt)
1. Moderato
2. Andante 3. Finale: Allegro di molto
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Spiegelsaal, Esterházy Palace (Eisenstadt)
1. Moderato
2. Tempo di menuet
harpsichord in French Style (c.1770) by Yves Beaupré (2007) // VIRTUAL ROOM: Ceremonial Room, Eszterháza (Fertöd) // from edition: The Virtual Haydn - Complete Works for Solo Keyboard (12 CD + DVD, Naxos, 2011) // recorded at McGill University, Montreal, Canada, from April 2007 to March 2009
1. -
2. Menuet & Trio
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Music Room Eszterháza, Fertöd, Hungary
1. Moderato
2. Menuet & Trio 3. Finale: Allegro
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004). Spiegelsaal, Esterházy Palace (Eisenstadt).
1. Moderato
2. Largo 3. Menuet & Trio
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Music Room Eszterháza, Fertöd, Hungary
1. Allegro
2. Menuetto 3. Finale: Presto
harpsichord Johann Leydecker (1755) by Martin Pühringer (2004) // VIRTUAL ROOM: Spiegelsaal, Esterházy Palace (Eisenstadt)
1. Allegro
2. Adagio 3. Finale: Presto
harpsichord in French Style (c.1770) by Yves Beaupré (2007) // VIRTUAL ROOM: Ceremonial Room, Eszterháza (Fertöd) // from edition: The Virtual Haydn - Complete Works for Solo Keyboard (12 CD + DVD, Naxos, 2011) // recorded at McGill University, Montreal, Canada, from April 2007 to March 2009
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