Стивен Стаббс

Стивен Стаббс (лютня)
Now, o, now, I needs must part,
parting though I absent mourn.
Absence can no joy impart,
joy, once fled, cannot return.
While I live I needs must love,
Love lives not when hope is gone:
Now,... Читать дальше
Now, o, now, I needs must part,
parting though I absent mourn.
Absence can no joy impart,
joy, once fled, cannot return.
While I live I needs must love,
Love lives not when hope is gone:
Now, at last, despair doth prove,
Love divided loveth none.
Sad despair doth drive me hence,
this despair unkindness sends.
If that parting be offence,
it is she which then offends!

Dear, when from thee I am gone,
Gone are all my joys at once.
I loved thee and thee alone,
in whose love I joyed once.
And, although your sight I leave,
sight wherein my joys do lie,
`Till that Death do sense bereave,
never shall affection die.
Sad despair…

Dear, if I do not return,
Love and I shall die together.
For my absence never mourn,
whom you might have joined ever.
Part we must, though now I die,
Die I do to part with you;
Him despair doth cause to lie,
who both loved and dieth true.
Sad despair…

Х Свернуть

The First Booke of Songs or Ayres (1597): № 6 `Now, O now, I needs must part` = `The Frog Galliard`,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
      (1)  
Go crystal tears, like to the morning showers,
And sweetly weep into thy lady`s breast.
And as the dews revive the drooping flow`rs.
So let your drops of pity be address`d
To quicken up the... Читать дальше
Go crystal tears, like to the morning showers,
And sweetly weep into thy lady`s breast.
And as the dews revive the drooping flow`rs.
So let your drops of pity be address`d
To quicken up the thoughts of my desert,
Which sleeps too sound whilst I from her depart.

Haste, restless sighs, and let your burning breath
Dissolve the ice of her indurate heart,
Whose frozen rigour, like forgetful Death,
Feels never any touch of my desert,
Yet sighs and tears to her I sacrifice
Both from a spotless heart and patient eyes.

Х Свернуть

The First Booke of Songs or Ayres (1597): № 9 `Go crystal tears`,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
      (3)  
1. Come again! sweet love doth now invite
Thy graces that refrain
To do me due delight,
To see, to hear, to touch, to kiss, to die,
With thee again in sweetest sympathy.

2. Come again! that... Читать дальше
1. Come again! sweet love doth now invite
Thy graces that refrain
To do me due delight,
To see, to hear, to touch, to kiss, to die,
With thee again in sweetest sympathy.

2. Come again! that I may cease to mourn
Through thy unkind disdain;
For now left and forlorn
I sit, I sigh, I weep, I faint, I die
In deadly pain and endless misery.

3. All the day the sun that lends me shine
By frowns doth cause me pine
And feeds me with delay;
Her smiles, my springs that makes my joy to grow,
Her frowns the winter of my woe.

4. All the night my sleeps are full of dreams,
My eyes are full of streams.
My heart takes no delight
To see the fruits and joys that some do find
And mark the stormes are me assign`d.

5. But alas, my faith is ever true,
Yet will she never rue
Nor yield me any grace;
Her Eyes of fire, her heart of flint is made,
Whom tears nor truth may once invade.

6. Gentle Love, draw forth thy wounding dart,
Thou canst not pierce her heart;
For I, that do approve
By sighs and tears more hot than are thy shafts
Do tempt while she for triumphs laughs.

Х Свернуть

The First Booke of Songs or Ayres (1597): №17 `Come again sweet love doth now invite`,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
      (1)  
1. Come heavy sleep, the image of true death;
and close up these my weary weeping eies:
Whose spring of tears doth stop my vitall breath,
and tears my hart with sorrows sign swoln cries:
Com... Читать дальше
1. Come heavy sleep, the image of true death;
and close up these my weary weeping eies:
Whose spring of tears doth stop my vitall breath,
and tears my hart with sorrows sign swoln cries:
Com and possess my tired thoughts, worne soule,
That living dies, till thou on me be stoule.

2. Come shadow of my end, and shape of rest,
Allied to death, child to blakefact night:
Come thou and charm these rebels in my breast,
Whose waking fancies doe my mind affright.
O come sweet sleepe; come, or I die ever:
Come ere my last sleep comes, or come never.

Х Свернуть

The First Booke of Songs or Ayres (1597): №20 `Come, heavy sleep`,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
       
Flow, my tears, fall from your springs!
Exiled for ever, let me mourn;
Where night`s black bird her sad infamy sings,
There let me live forlorn.

Down vain lights, shine you no more!
No... Читать дальше
Flow, my tears, fall from your springs!
Exiled for ever, let me mourn;
Where night`s black bird her sad infamy sings,
There let me live forlorn.

Down vain lights, shine you no more!
No nights are dark enough for those
That in despair their lost fortunes deplore.
Light doth but shame disclose.

Never may my woes be relieved,
Since pity is fled;
And tears and sighs and groans my weary days
Of all joys have deprived.

From the highest spire of contentment
My fortune is thrown;
And fear and grief and pain for my deserts
Are my hopes, since hope is gone.

Hark! you shadows that in darkness dwell,
Learn to condemn light
Happy, happy they that in hell
Feel not the world`s despite.

Х Свернуть

The Second Booke of Songs or Ayres (1600): № 2 `Flow my tears`,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
       
For Lucy, Countess of Bedford

1. Fine knacks for ladies, cheap, choice, brave and new,
god penniworths, but money cannot prove,
I keep a fair, but for the fair to view
a beggar may be liberal... Читать дальше
For Lucy, Countess of Bedford

1. Fine knacks for ladies, cheap, choice, brave and new,
god penniworths, but money cannot prove,
I keep a fair, but for the fair to view
a beggar may be liberal of love,
Though all my wares be trash, the heart is true.

2. Great gifts are guiles and look for gifts again,
My trifles come as treasures from my mind,
It is a precious jewel to be plain,
Sometimes in shell the Orient`s pearls we find.
Of others take a sheaf, of me a grain

3. Within this pack pins, points, laces and gloves,
And divers toys fitting a country fair,
But in my heart, where duty serves and loves,
Turtles and twins, Court`s brood, a heav`nly pair.
Happy the man that thinks of no removes.

Х Свернуть

The Second Booke of Songs or Ayres (1600): №12 `Fine knacks for ladies`,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
       

The Third and Last Booke of Songs or Aires (1603): №15. `Weep you no more, sad fountains`,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
       
The lowest trees have tops, the ant her gall,
The fly her spleen, the little spark his heat,
And slender hairs cast shadows though but small,
And bees have stings although they be not great.... Читать дальше
The lowest trees have tops, the ant her gall,
The fly her spleen, the little spark his heat,
And slender hairs cast shadows though but small,
And bees have stings although they be not great.
Seas have their source, and so have shallow springs,
And love is love in beggars and in kings.

Where waters smoothest run, deep are the fords,
The dial stirs, yet none perceives it move:
The firmest faith is in the fewest words,
The turtles cannot sing, and yet they love,
True hearts have eyes and ears no tongues to speak:
They hear, and see, and sigh, and then they break.

Х Свернуть

The Third and Last Booke of Songs or Aires (1603): №19. `The lowest trees have tops`,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
       
`Lachrimae, or seaven teares figured in seaven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts` - включает 7... Читать дальше
`Lachrimae, or seaven teares figured in seaven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts` - включает 7 композиций для 5 виол и лютни, в основе которых лежит тема из песни для лютни `Flow my tears`.
Первая публикация: Лондон, 1604.

1. Lachrimae Antiquae (lat. Слезы античные) существует также как композиция для лютни и песня.
2. Lachrimae Antiquae Novae (lat. Слезы ново-античные)
3. Lachrimae Gementes (lat. Слезы со вздохами)
4. Lachrimae Tristes (lat. Слезы печальные)
5. Lachrimae Coactae (lat. Слезы горчайшие)
6. Lachrimae Amantis (lat. Слезы любовные)
7. Lachrimae Veræ (lat. Слезы истинные)

Х Свернуть

`Lachrimae`, or Seven Teares`, Figured in Seaven Passionate Pavans, for five viols and lute (1604),  (Dowland)
Lachrimae Tristes, Lachrimae Amantis, Lachrimae Verae. Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
       
Опубликована в сборнике лютневых песен разных авторов `A Musical Banquet` Робертом Доулендом, сыном композитора.

In darkness let me dwell; the ground shall sorrow be, // (Во тьме позволь мне... Читать дальше
Опубликована в сборнике лютневых песен разных авторов `A Musical Banquet` Робертом Доулендом, сыном композитора.

In darkness let me dwell; the ground shall sorrow be, // (Во тьме позволь мне обитать...)
The roof despair, to bar all cheerful light from me;
The walls of marble black, that moist`ned still shall weep;
My music, hellish jarring sounds, to banish friendly sleep.
Thus, wedded to my woes, and bedded in my tomb,
O let me living die, till death doth come, till death doth come.

Х Свернуть

Songs from the collection `A Musicall Banquet` (1610): No.10, In darkness let me dwell,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
       

Songs from the collection `A Pilgrimes Solace` (1612): No.10, From silent night`,  (Dowland)
Soprano Saxophone, bass clarinet – John Surman, violin – Maya Homburger, double bass – Barry Guy. Recorded: January 1999, Forde Abbey, Dorset.
       
 
     
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