Sinfonia No.1 in C major, BWV 787
Sinfonia No.2 in C minor, BWV 788
Sinfonia No.3 in D major, BWV 789
Sinfonia No.4 in D minor, BWV 790
Sinfonia No.5 in E♭ major, BWV 791
Sinfonia No.6...Читать дальше
Sinfonia No.1 in C major, BWV 787
Sinfonia No.2 in C minor, BWV 788 Sinfonia No.3 in D major, BWV 789 Sinfonia No.4 in D minor, BWV 790 Sinfonia No.5 in E♭ major, BWV 791 Sinfonia No.6...Читать дальше
Sinfonia No.1 in C major, BWV 787
Sinfonia No.2 in C minor, BWV 788 Sinfonia No.3 in D major, BWV 789 Sinfonia No.4 in D minor, BWV 790 Sinfonia No.5 in E♭ major, BWV 791 Sinfonia No.6 in E major, BWV 792 Sinfonia No.7 in E minor, BWV 793 Sinfonia No.8 in F major, BWV 794 Sinfonia No.9 in F minor, BWV 795 Sinfonia No.10 in G major, BWV 796 Sinfonia No.11 in G minor, BWV 797 Sinfonia No.12 in A major, BWV 798 Sinfonia No.13 in A minor, BWV 799 Sinfonia No.14 in B♭ major, BWV 800 Sinfonia No.15 in B minor, BWV 801 Х Свернуть |
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ясно сохраняющуюся тембровую краску.Линии голосов прекрасно дифференцированны и между ними
много `пространства`. Такое впечатление, что пианист мыслит как в эпоху барокко, слыша
каждый голос как совершенно самостоятельный `персонаж`.
восхождения.