Volume I (1-36):

Six Unison Melodies (I)
(a) Six Unison Melodies (II)
(b) Six Unison Melodies (II)
Six Unison Melodies (III)
Six Unison Melodies (IV)
Six Unison Melodies (V)
Six Unison...Читать дальше
Volume I (1-36):

Six Unison Melodies (I)
(a) Six Unison Melodies (II)
(b) Six Unison Melodies (II)
Six Unison Melodies (III)
Six Unison Melodies (IV)
Six Unison Melodies (V)
Six Unison Melodies (VI)
Dotted Notes
Repetition (1)
Syncopation (I)
With Alternate Hands
Parallel Motion
Reflection
Change of Position
Question and Answer
Village Song
Parallel Motion with Change of Position
Contrary Motion
Four Unison Melodies (I)
Four Unison Melodies (II)
Four Unison Melodies (III)
Four Unison Melodies (IV)
Imitation and Counterpoint
Imitation and Inversion (I)
Pastorale
Imitation and Inversion (II)
Repetition (II)
Syncopation (II)
Canon at the Octave
Imitation Reflected
Canon at the Lower Fifth
Dance in Canon Form
In Dorian Mode
Slow Dance
In Phrygian Mode
Chorale
Free Canon

Volume 2 (37-61):

In Lydian Mode
Staccato and Legato (I)
Staccato and Legato (Canon)
In Yugoslav Style
Melody with Accompaniment
Accompaniment in Broken Triads
(a) In Hungarian Style (for two pianos)
(b) In Hungarian Style
Contrary Motion (2) (for two pianos)
Meditation
Increasing-Diminishing
County Fair
In Mixolydian Mode
Crescendo-Diminuendo
Minuetto
Waves
Unison Divided
In Transylvanian Style
Chromatics
Triplets in Lydian Mode (for two pianos)
Melody in Tenths
Accents
In Oriental Style
Major and Minor
Canon with Sustained Notes
Pentatonic Melody
Minor Sixths in Parallel Motion
Buzzing
(a) Line against Point
(b) Line against Point
Dialogue (with voice)
Melody Divided

Volume III (62-96):

Thirds against a Single Voice
Hungarian Dance (for two pianos)
Study in Chords
Melody against Double Notes
Thirds
Dragons` Dance
Sixths and Triads
(a) Hungarian Matchmaking Song
(b) Hungarian Matchmaking Song (with voice)
Triplets
In Three Parts
Little Study
Five-Tone Scale
Hommage à Johann Sebastian Bach
Hommage à Robert Schumann
Wandering
Scherzo
Melody with Interruptions
Merriment
Broken Chords
Two Major Pentachords
Variations
Duet for Pipes
In Four Parts (I)
In Russian Style
Chromatic Invention (I)
Chromatic Invention (II)
In Four Parts (II)
Once Upon a Time...
(a) Fox Song
(b) Fox Song (with voice)
Jolts

Volume IV (97-121):

Notturno
Thumbs Under
Hands Crossing
In Folk Song Style
Diminished Fifth
Harmonics
Minor and Major
(a) Wandering through the Keys
(b) Wandering through the Keys
Game (with Two Five-Tone Scales)
Children`s Song
Melody in the Mist
Wrestling
From the Island of Bali
And the Sounds Clash and Clang...
Intermezzo
Variations on a Folk Tune
Bulgarian Rhythm (I)
Theme and Inversion
Bulgarian Rhythm (II)
Song
Bourrée
Triplets in 9
8 Time
Dance in 3
4 Time
Triads
Two-Part Study

Volume V (122-139):

Chords Together and in Opposition
(a) Staccato and Legato (II)
(b) Staccato and Legato (II)
Staccato
Boating
Change of Time
New Hungarian Folk Song (with voice)
Stamping Dance
Alternating Thirds
Village Joke
Fourths
Major Seconds Broken and Together
Syncopation (III)
(a) Studies in Double Notes
(b) Studies in Double Notes
(c) Studies in Double Notes
Perpetuum mobile
Whole-Tone Scales
Unison
Bagpipe Music
Merry Andrew

Volume VI (140-153):

Free Variations
Subject and Reflection
From the Diary of a Fly
Divided Arpeggios
Minor Seconds, Major Sevenths
(a) Chromatic Invention (III)
(b) Chromatic Invention (III)
Ostinato
March
Six Dances in Bulgarian Rhythm (I)
Six Dances in Bulgarian Rhythm (II)
Six Dances in Bulgarian Rhythm (III)
Six Dances in Bulgarian Rhythm (IV)
Six Dances in Bulgarian Rhythm (V)
Six Dances in Bulgarian Rhythm (VI)

Х Свернуть

3 тетрадь (№№ 67-96). Tamara Takacs - mezzo-soprano, Balazs Szokolay - piano. Запись - 7-10 февраля 2005 г., Будапешт.
         (3)  


OlgaKz (19.05.2015 13:42)
Не часто встречающийся пример музыки, красота которой практически недоступна слушателю,
только исполнителю - ему все чудо совершенства! Музыка, которую нужно слышать как будто
изнутри, видеть внутренним зрением - своеобразный доверительный разговор играющего с
сочинившим.

Спасибо, дорогой Особняк, за все шесть тетрадочек преогромное.

Яндо, на мой взгляд, превосходно справился. Еще бы! Рос на этих тетрадочках наверняка, до
профессора дорос. Молодец!

ZashitnikA (12.07.2019 15:33)
Кто-нибудь пробовал вести занятия фортепиано только по `Микрокосмосу`? Хочу провести такой
эксперимент с одним учеником, выдержит или нет..

victormain (12.07.2019 23:57)
ZashitnikA писал(а):
Кто-нибудь пробовал вести занятия фортепиано
только по `Микрокосмосу`? Хочу провести такой эксперимент с одним учеником, выдержит или
нет..
Надо бы жизнь застраховать... свою...



 
     
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