Prefatory Observations on the Scale Exercises 0:00
Chapter I: On the Fingering of the Scales and of such passages as are derived from them
1. Fingering of the Diatonic Scale of C Major 0:57
2. Passages and Exercises constructed on the Diatonic Scale of C Major 2:46
3. Of the Scales in other Keys 5:44
4. On Minor Keys 12:44
5. Particular Rules on the Scales 14:08
6. On the Glissando, or gliding with one finger 15:49
7. Fingering of the Chromatic Scale 16:06
8. Passages founded on the Chromatic Scale 16:38
Chapter II: On Passages derived from Thirds, Fourths, Sixths and Octaves 17:38
Chapter III: Passages founded on Chords
A. On Chords without any Black Key 25:47
B. On Chords with one Black Key 31:51
C. On Chords with 2 Black Keys 35:25
Exercises on this Head 38:17
D. On those Keys in which the Common Chord falls wholly on Black Keys 38:52
Chapter IV: On Chord Passages with Accessory Notes 39:50
Chapter V: Passages founded on the Chord of the Seventh 43:45
Chapter VI: On Double Notes which occur in Scales and Chord Passages 47:15
Chapter VII: On Runs in Double Notes
1. (Passage on Thirds) 50:51
2. Passage on Fourths 54:58
3. Passage on Sixths 56:21
4. On Octaves 57:48
5. Passages founded on Octaves 58:43
6. On some modern passages 1:01:27
Chapter VIII: Changing the Fingers on the same Key when re-struck 1:02:03
- Changing the Fingers in Scales 1:10:12
Chapter IX: Fingering of the Shake 1:11:55
- On single Shakes written over double Notes 1:14:30
- On double Shakes 1:14:59
- Exercises on Shakes 1:17:04
Chapter X: Fingering of Passages in which the hands are crossed, or interwaven by being placed one within the other 1:23:50
Chapter XI: Fingering of Plain Chords 1:26:53
Chapter XII: Substitution of fingers on the same key held down
- Moderato 1:32:09
- Andante 1:32:50
- Andante 1:33:20
- Moderato 1:34:19
(example) 1:35:21
- Andante 1:35:31
- Andante 1:35:47
- Andante 1:36:03
Chapter XIII: Successive application of the same finger to several keys 1:36:33
Chapter XIV: Fingering of wide Skips 1:37:21
Chapter XV: Fingering of Passages in several Parts
- Moderato 1:40:00
- Moderato 1:40:16
- Moderato 1:40:33
- 1:41:11
Additional examples 1:41:27
Chapter XVI: On striking a Key with two fingers at the same time 1:42:26
Peculiar Studies
1. Allegro 1:42:47
2. Allegro moderato 1:43:15
3. Presto - Allegro non troppo - Presto - Allegro moderato - Molto vivo 1:44:26
4. Allegro con spirito 1:47:08
5. Allegro 1:49:02
6. Allegro moderato ma con spirito 1:51:30
7. Allegro vivo 1:53:28
8. Allegro 1:54:22
Chapter I: On the Fingering of the Scales and of such passages as are derived from them
1. Fingering of the Diatonic Scale of C Major 0:57
2. Passages and Exercises constructed on the Diatonic Scale of C Major 2:46
3. Of the Scales in other Keys 5:44
4. On Minor Keys 12:44
5. Particular Rules on the Scales 14:08
6. On the Glissando, or gliding with one finger 15:49
7. Fingering of the Chromatic Scale 16:06
8. Passages founded on the Chromatic Scale 16:38
Chapter II: On Passages derived from Thirds, Fourths, Sixths and Octaves 17:38
Chapter III: Passages founded on Chords
A. On Chords without any Black Key 25:47
B. On Chords with one Black Key 31:51
C. On Chords with 2 Black Keys 35:25
Exercises on this Head 38:17
D. On those Keys in which the Common Chord falls wholly on Black Keys 38:52
Chapter IV: On Chord Passages with Accessory Notes 39:50
Chapter V: Passages founded on the Chord of the Seventh 43:45
Chapter VI: On Double Notes which occur in Scales and Chord Passages 47:15
Chapter VII: On Runs in Double Notes
1. (Passage on Thirds) 50:51
2. Passage on Fourths 54:58
3. Passage on Sixths 56:21
4. On Octaves 57:48
5. Passages founded on Octaves 58:43
6. On some modern passages 1:01:27
Chapter VIII: Changing the Fingers on the same Key when re-struck 1:02:03
- Changing the Fingers in Scales 1:10:12
Chapter IX: Fingering of the Shake 1:11:55
- On single Shakes written over double Notes 1:14:30
- On double Shakes 1:14:59
- Exercises on Shakes 1:17:04
Chapter X: Fingering of Passages in which the hands are crossed, or interwaven by being
placed one within the other 1:23:50
Chapter XI: Fingering of Plain Chords 1:26:53
Chapter XII: Substitution of fingers on the same key held down
- Moderato 1:32:09
- Andante 1:32:50
- Andante 1:33:20
- Moderato 1:34:19
(example) 1:35:21
- Andante 1:35:31
- Andante 1:35:47
- Andante 1:36:03
Chapter XIII: Successive application of the same finger to several keys 1:36:33
Chapter XIV: Fingering of wide Skips 1:37:21
Chapter XV: Fingering of Passages in several Parts
- Moderato 1:40:00
- Moderato 1:40:16
- Moderato 1:40:33
- 1:41:11
Additional examples 1:41:27
Chapter XVI: On striking a Key with two fingers at the same time 1:42:26
Peculiar Studies
1. Allegro 1:42:47
2. Allegro moderato 1:43:15
3. Presto - Allegro non troppo - Presto - Allegro moderato - Molto vivo 1:44:26
4. Allegro con spirito 1:47:08
5. Allegro 1:49:02
6. Allegro moderato ma con spirito 1:51:30
7. Allegro vivo 1:53:28
8. Allegro 1:54:22