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Çèãôðèä ʸëåð (äèðèæåð)
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Âàéëü, Êóðò -
Der Jasager (Ñêàçàâøèé `äà`), øêîëüíàÿ îïåðà (1930)
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Âåáåð, Êàðë Ìàðèÿ ôîí -
Êîíöåðò äëÿ ôîðòåïèàíî ñ îðêåñòðîì ¹1 äî ìàæîð (1810), op. 11
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Ãåðíñõàéì, Ôðèäðèõ -
Ñèìôîíèÿ ¹1 ñîëü ìèíîð (1875), op. 32
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Ãåðíñõàéì, Ôðèäðèõ -
Ñèìôîíèÿ ¹2 ìè-áåìîëü ìàæîð (1882), op. 46
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Ãåðíñõàéì, Ôðèäðèõ -
Ñèìôîíèÿ ¹3 äî ìèíîð «Ìèðèàì» (1887), op. 54
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Ãåðíñõàéì, Ôðèäðèõ -
Ñèìôîíèÿ ¹4 ñè-áåìîëü ìàæîð (1895), op. 62
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ä`Àëüáåð, Ýæåí -
Aschenputtel /Ñþèòà Çîëóøêè (1924), op.33
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Ïåòåðñîí-Áåðãåð, Âèëüãåëüì -
Ñèìôîíèÿ ¹ 3 ôà ìèíîð `Same-Ätnam` (1913-1915)
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×àéêîâñêèé, ϸòð Èëüè÷ -
Âàðèàöèè íà òåìó ðîêîêî äëÿ âèîëîí÷åëè ñ îðêåñòðîì ëÿ ìàæîð (1876-77), Op. 33
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