1.Symphony (overture): Introduction—Canzona—Adagio—Allegro—Grave—Allegro (repeat)
2.Recitative (bass) and chorus: Hail! Bright Cecilia
3.Duet (`treble` [though range would suggest alto] and...
×èòàòü äàëüøå
Ãåíðè ϸðñåëë (1659–1695)
Îäà `Hail, Bright Cecilia` äëÿ ñîëèñòîâ, õîðà, îðêåñòðà è áàññî êîíòèíóî (1692), Z 328 Ñêà÷àòü íîòû
1.Symphony (overture): Introduction—Canzona—Adagio—Allegro—Grave—Allegro (repeat)
2.Recitative (bass) and chorus: Hail! Bright Cecilia 3.Duet (`treble` [though range would suggest alto] and... ×èòàòü äàëüøå
1.Symphony (overture): Introduction—Canzona—Adagio—Allegro—Grave—Allegro (repeat)
2.Recitative (bass) and chorus: Hail! Bright Cecilia 3.Duet (`treble` [though range would suggest alto] and bass): Hark! hark! each tree 4.Air (countertenor): `Tis Nature’s voice` 5.Chorus: Soul of the world 6.Air (soprano) and chorus: Thou tun’st this world 7.Trio (alto, tenor and bass): With that sublime celestial lay 8.Air (bass): Wondrous machine! 9.Air (countertenor): The airy violin 10.Duet (countertenor and tenor): In vain the am’rous flute 11.Air (countertenor): The fife and all the harmony of war 12.Duet (two basses): Let these among themselves contest 13.Chorus: Hail! Bright Cecilia, hail to thee Õ Ñâåðíóòü
Ýììà ʸðêáè
(ñîïðàíî)
,
Ýíäðþ Ïýððîò
(äèðèæåð),
Ìàéêë ×åíñ
(êîíòðàòåíîð),
Ìàéêë Äæîðäæ
(áàñ),
Àíñàìáëü `Taverner Consort and Players`
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