Части:
1. Chorus: `Christ unser Herr zum Jordan kam` - a gapped chorale setting of the tune. The soprano, alto, and bass voices sing free counterpoint, while the tenor voices sing the chorale... Читать дальше
Части:
1. Chorus: `Christ unser Herr zum Jordan kam` - a gapped chorale setting of the tune. The soprano, alto, and bass voices sing free counterpoint, while the tenor voices sing the chorale unadorned in long notes.
2. Aria: `Merkt und hört, ihr Menschenkinder` (`Mark and hear, you sons of mankind`) - for basso and continuo.
3. Recitative: `Dies hat Gott klar mit Worten` (`This God has clearly [provided] with words`) - for tenor and continuo.
4. Aria: `Des Vaters Stimme ließ sich hören` (`The Father`s voice can be heard`) - for tenor, two solo violins and continuo.
5. Recitative: `Als Jesus dort nach seinen Leiden` (`As Jesus there, after his Passion`) - for bass, strings and continuo.
6. Aria: `Menschen, glaubt doch dieser Gnade` (`People, believe this grace now`) - for alto, oboes d`amore, strings and continuo.
7. Chorale: `Das Aug allein das Wasser sieht` (`The eye sees only water`) - the last verse of the chorale, sung and played by the whole ensemble.

`Христос Господь на Иордан пришёл`. На Рождество Иоанна Предтечи.

Солисты: альт, тенор, бас; четырёхголосный хор
Оркестр: 2 гобоя d’amore, 2 скрипки, concertante скрипка, альт, бассо континуо (partly with орган)

Х Свернуть
Кантата «Christ unser Herr zum Jordan kam» («Христос, Господь наш, к Иордану пришёл») ми минор, BWV    7 (Бах)
bass - Wolfgang Büssenschütt. Bremer Kantatenchor. Bremer Bach-Orchester. 1960, Bremen.далееСвернуть
bass - Wolfgang Büssenschütt. Bremer Kantatenchor. Bremer Bach-Orchester. 1960, Bremen.
 
     
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