`Мессия` He was despised. 11 сентября 1930., Лондон.

`Comfort ye my people` // Dame Emma Kirkby/Emily Van Evera/Margaret Cable/James Bowman/Joseph Cornwell/David Thomas/Taverner Choir/Taverner Players/Andrew Parrott

MUSIK ZUR PASSION
Sonntag, 8. März 2015, Dorfkirche Bausenhagen

`Hallelujah` from `Messiah` (No. 44 from Part Two). Oratorio Society of New York. Concert of the Century at Carnegy Hall May 18 1976.

Messiah / Part 3 - `Behold, I Tell You A Mystery`, `The Trumpet Shall Sound` / Thomas Quasthoff, Staatskapelle Dresden, con. Sebastian Weigle.

Rejoice Greatly, O Daughter Of Zion. Январь 2015 года.

Part I: `Thus saith the Lord` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `But who may abide the day of His coming` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `But who may abide the day of His coming` (alternative version). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `But lo! the angel of the Lord came upon them` (alternative version). Janet Williams - soprano. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `Rejoice greatly, O daughter of Zion` (alternative version). Janet Williams - soprano. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `He shall feed His flock` (alternative version). Drew Minter - countertenor. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `Thou art gone up on high` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `Thou art gone up on high` (alternative version). Patricia Spence - contralto. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II (alternative versions): `How beautiful are the feet` - Drew Minter (countertenor); `Break forth into joy` - Patricia Spence (contralto). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `How beautiful are the feet` (alternative version). Drew Minter - countertenor. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `Their sound is gone out` (alternative version). Janet Williams - soprano. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `Why do the nations` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Messiah / Part 3 - `Air: I Know That My Redeemer Liveth`.

`But who may abide` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

`He was despised` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

`Thou art gone up on high` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

`Behold, a virgin` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

`O Thou that tellest` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

``Pifa`` - Siciliana (HARP DUET). Recorded in the English Church, Begynhof, Amsterdam, September 1989.

`He was depised`. Recorded in the English Church, Begynhof, Amsterdam, September 1989.

Messiah: But who may abide the day of his coming; How beautiful are the feet. Albert Fuller (harpsichord), Baroque Chamber Orchestra – Tomas Dunn. “Russell Oberlin. Handel arias”, 1959.

Part I: Aria `And He shall feed his flock` & Aria `Rejoice greatly, O daughter of Zion`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.

But who may abide the day of His coming. Cond. Albert W. Ketelbey. Лондон, 21 сентября 1922

`Rejoice Greatly, O Daughter of Zion`. Запись - 24 октября 2019 г., Лондон (live).

Ev’ry valley chall be exalted. 1958.

`Rejoice` from Messiah / Katrin Targo & J.J.Fux Baroque Orchestra

Messiah / Part 1 - `Air: The People That Walked In Darkness` / John Tomlinson, The English Concert, con. Trevor Pinnock.

Messiah / Part 2 - `Air: He Was Despised`.

Messiah - Aria (O Thou That Tellest Good Tidings to Zion) / 7-8 октября 1952 года, Лондон.

I know that my Redeemer liveth.

He shall feed his flock / декабрь 1956 года.

I know that my Redeemer liveth / декабрь 1956 года.

Часть I. Речитатив `Thus saith`. Записано в 2012г. в Мюнхене. Альбом «Michael Volle - A Portrait» (2013)

Messiah, HWV 56: No. 9. Ария (альт) и хор: O thou that tellest good tidings to Zion; No. 23. Ария (альт): He was despised. Maureen Forrester, contralto; Anton Heiller, organ, I Solisti di Zagreb – Antonio Janigro. Recorded at the Grossesaal, Wiener Konzethaus, Vienna, Austria, June 1964.

Part II: `How beautiful are the feet` & `Their sound is gone out` (alternative version). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `He was despised` (alternative version). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Messiah - He was despised.

Messiah - O thou that tellest.

Part 1: `Er weidet seine Herde`. Запись: 30 апреля - 7 мая 1961 г., Мюнхен.

Part 3: `Ich weiß, daß mein Erlöser lebt`. Запись: 30 апреля - 7 мая 1961 г., Мюнхен.